Ethnics die first. Austrian herrenfolk survives thermonuclear blast in a jungle without cover.
Death and the Maiden
Doctors who systematically rape and torture for a totalitarian regime can afford extremely expensive chamber music seats.
Only a horrifying amalgan of machine and half-dead man, funded by and developed for a private corporation for profit can save a major city in decay.
Eleven hardened life-time criminals are justified in robbing millions from a legitimate business man because he's somewhat cold and happens to be dating the head criminal's ex-wife.
Federal agent has nearly all his best friends killed in a bloody war over a substance that's legalized a few years later.
Every conflict to ever descend upon Afganistan, transposed to Montana.
Over-privileged white kids in the suburbs feel hard done by, get high, have a make-over, collaborate on a letter.
Man learns about commitment only by having his best friend die in practice.
Wrestling movies pay the bills, not Great American Films.
Entire species are reduced from a warrior band who strike terror in the hearts of millions to a laughing stock of cheap-gag vaudevillians in a desperate bid to keep the lights on.
A hardened sociopath almost delves into pedophilia, a girl's family dies, and an entire SWAT team is killed so that a ficus can find a better life on private school grounds.
A softcore film is not identified as such due to foreign language, soft-focus, and a superb prop-master.
Run Lola, Run
A screenwriter with career ending writer's block writes the same plot out several times, with small variations, just to make his vignette feature-length.